Rich Couples

In 1977, at just 14 years old, Jamie Masada found himself alone in Hollywood. A native of Iran, he didn’t know anybody and spoke only Farsi. The American producer who had promised to look after him and give him a shot at success had abandoned him. With the $850 his parents had given him long gone, Masada was taken in by a compassionate apartment manager who let him sleep on a couch.

And so began Masada’s journey to becoming one of America’s top comedy impresarios. Supporting himself through a series of odd jobs at comedy shops on the Sunset Strip, Masada was befriended by a group of local comics. It was here that he learned the rhythm of a good joke and honed his instincts for spotting talent.

PAYING THE TALENT. 

Today, Masada’s flagship Laugh Factory on Sunset Boulevard in Hollywood is not only successful — with packed houses for the past 25 years — but also one of the most influential proving grounds for comedic talent in the nation. Entertainment producers and managers routinely prowl his club looking for the next Jim Carrey, Jamie Foxx, or Chris Rock — all of whom got their start on Masada’s stage.

In building his kingdom of comedy, Masada has groomed and showcased some of the biggest names in the industry. In the process, he has helped change the economics of the business by paying all comics for their work, helping to promote diversity within their ranks, and finding new revenue channels through crossover promotion.

“Jamie has really grown his club in a really hard business,” says comedian Bob Saget, former star of the sitcom Full House, who has known Masada for 25 years. “Not only does he have a good gauge for talent, but he’s a guy who’s always helping people.” Saget says the fact that even the biggest-name comics return on their own — Chris Rock performed just a few days after hosting the Oscars — is a testament to the club’s proprietor.

“When I perform at the Laugh Factory, it feels like a home for me,” he adds. “He always treats me really well, and it is one of the best spaces for doing stand-up. It’s like a tiny music hall.”

Read the full article source